Fiddler's Map - an exploration of Métis history

Merelda Fiddler created "Fiddler's Map" an exploration of the places and history that Métis people hold dearly to their hearts. Fiddler combines personal history with visual imagery (photographs, paintings by Frances Anne Hopkins, maps) and film clips to explore her own struggles with her identity as a Métis, half-breed and Indian. She explores her sense of loss of her Métis identity when her family separated and how she reclaimed this through doing research, and conducting interviews with those in her community. Merelda says that she is "charting her own map" telling her story of how she has come to understand her own Métis identity. Throughout the film, there is a joyous fiddle tune compelling you to keep watching. 
You can watch the full version of the movie on youtube through this link. 
Enjoy!

Erotic Canoe in Isabella Valancy Crawford's poem The Lily Bed (1880s)

How can a canoe be erotic? How can it not be erotic? Reading this poem by Irish Canadian poet Isabella Valancy Crawford adds another rich layer of meaning to the notion of "romanticization" situating paintings like Frances Anne Hopkin's Shooting the Rapids (1879) in the literary context of the late nineteenth century. Hopkins paintings depict  voyageurs at rest, by firelight and also traversing the water systems of the Great Lakes.  

Valancy Crawford led a solitary life, living beside the Saugeen River and then in Peterborough, in Southern Ontario. The lily bed and the canoe are animate in this poem, their relationship is symbiotic. Crawford draws on the cultural landscapes of the Anishinaabe (Ojibwe) people to inform her work, wampum (purple and white sacred beads) is reflected in the creation of Manitou (the Creator). Hope you enjoy reading! 

The Lily Bed , 1880s, in The Collected Poems of Isabella Valancy Crawford.

His cedar paddle, scented, red

he thrust down through the lily bed;

Cloaked in a golden pause he lay,

locked in the arms of the placid bay.

Trembled alone his bark canoe

As shocks of bursting lilies flew

Thro' the still crystal of the tide,

And smote the frail boat's birchen side;

Or, when beside the sedges thin

Rose the sharp silver of a fin;

Or when, a wizard swift and cold

A dragon-fly beat out in gold

And jewels all the widening rings

Of waters singing to his wings;

Or, like a winged and burning soul,

Dropped from the gloom an oriole

On the cool wave, as to the balm

Of the Great Spirit's open palm

The freed soul flies. And silence clung

To the still hours, as tendrils hung,

In darkness carven, from the trees,

Sedge-buried to their burly knees.

Stillness sat in his lodge of leaves;

Clung golden shadows to its eaves,

And on its cone-spiced floor, like maize,

Red-ripe, fell sheaves of knotted rays.

The wood, a proud and crested brave;

Bead-bright a maiden stood the wave.

And he had spoke his soul of love

With voice of eagle and of dove.

Of loud, strong pines his tongue was made;

 His lips, soft blossoms in the shade

That kissed her silver lips - her's cool

As lilies on his inmost pool -

Till now he stood, in triumph's rest,

His image painted in her breast.

One isle 'tween blue and blue did melt,

- A bead of wampum from the belt

Of Manitou - a purple rise

On the far shore heaved to the skies.

His cedar paddle, scented, red,

He drew up from the lily bed;

All lily-locked, all lily-locked,

His light bark in the blossoms rocked.

Their cool lips round the sharp prow sang,

Their soft clasp to the frail sides sprang,

With breast and lip they wove a bar.

Stole from her lodge the Evening Star;

With golden hand she grasped the mane

Of a red cloud on her azure plain.

It by the peaked, red sunset flew;

Cool winds from its bright nostrils blew.

They swayed the high, dark trees, and low

Swept the locked lilies to and fro.

With cedar paddle, scented, red,

He pushed out from the lily bed.